In 1541 Eleanor, the Duchess of Gloucester, was accused of witchcraft. Margery Jourdemayne, ‘the Witch of Eye next Westminster’, Thomas Southwell (Chaplain of Westminster Palace and a canon), and the scholars Roger Bolingbroke and John Home (Hume) were all accused of witchcraft too. It seems impossible that a noblewoman and other powerful and learned people would be accused and tried for something like witchcraft at that time period. And that some of them would meet a terrible end, as a result. But there was more to it than meets the eye (excuse the pun).
The Imp of Eye, uses these events as the centrepiece for its plot.
15th century England was a time of great turmoil and power shifts. When Henry V died he left an infant son, Henry VI, who was under the care of his uncles. The Duke of Bedford and the Duke of Gloucester who were appointed the regents. As Henry matured, various powerful nobles maneuvered for position and control, including his uncle, Duke Humphrey of Gloucester. When Humphrey’s older brother died it left Humphrey as the next in line to the throne and closest to the young king. For a while, he was able to influence the young king and encourage him to continue the war with France that had dragged on for almost a century. But other factions, especially the one headed by Cardinal Beaufort, a distant relation, vied for power. A key plan was to discredit Humphrey and get him out of the way.
His second wife, the lovely but volatile Eleanor Cobham, former lady in waiting to the Duke’s first wife, played into their hands. They used her desperate, frequent consultations with the known herbalist and witch, Margery Jourdemayne (the Witch of Eye), to try and bring about her downfall.
Moonyeen Blakey read about this trial and the witch, Margery Jourdemayne, in the course of her research for a previous book she’d started writing. She discussed the storyline with me several times and I followed its development. She sat down to write it and had a draft of it completed when she fell ill with a second bought of cancer. This time, unfortunately, she was unable to beat it and she died in March 2014. Before she died, she asked me to take on the novel and do with it what I thought best. I read it through and overhauled it, creating some new characters, changing some other characters, and eliminating characters entirely. All the time I worked on it I felt her looking over my shoulder discussing and debating as the story took shape. Though there are missing faces, changed faces and new faces in the current story, one character above all remained as he was: Barnabas. I made him older, but his spirit is unchanged, as is the voice that she created for him.
This book is now the first in a series, The Renaissance Sojourner Series, that features Barnabas.
The book is published in ebook and print and can be purchased below or the print copies ordered in bookstores.
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What exactly happened to the two princes locked up in the Tower of London at the end of the 15th century, while royal plots swirled around them? This question has sparked endless discussion over the centuries. Did Richard III kill them, as Shakespeare would have us believe? Or was it Henry VII, the first Tudor monarch, and the one who deposed Richard III? Or maybe it was someone else? Someone in the employ of either monarch or acting on his own.
It’s a topic that is ripe for a novel full of intrigue and one that novelist Moon Blakey couldn’t resist. In her book, The Assassin’s Wife the death of the two princes seen in a clairvoyant’s vision shapes the moving force of the tale. The clairvoyant, Nan, becomes maid to Richard III’s wife, Anne Neville and in a time when clairvoyants were burnt as witches, she risks the danger of exposure as a witch to try and prevent the princes’ death.
It was a time when royal blood was shed constantly and loyalties shifted back and forth, making the death of the two young boys yet another incident in the many plots to gain the throne, or so Moonyeen Blakey tells us in her guest blog below. Her novel of intrigue and the supernatural, The Assassin's Wife, is published by Fireship Press and is available through Amazon.
You can find out more about Moonyeen Blakey and her book at her website:
Dirty, Devilish Deeds in the Tower
Last year's discovery of Richard III's bones under a carpark in Leicester, raised more than new interest in the history of this much maligned king. It stirred the spectres of two, lost, little, noble boys said to haunt the Garden Tower.
Who were these waifs in black velvet, doomed to cling hand-clasped and forlorn, confronting us perpetually with their abject misery? Who could have abandoned them to such a fate?
Those primary school-children who studied history during the 1960s might have had some inkling. According to a 'potted' Children's History Book Series published by Unstead and used throughout schools for 7-11 years in England, these small boys belonged to the Royal House of York. They were in fact the sons of Edward IV, the dashing Yorkist king who took the crown from poor, mad Henry VI of the Royal House of Lancaster. Again, according to Unstead, whole swathes of history could be reduced to just a few relevant sentences summing up the entire later 15th century history of England to something like: 'The rival barons fought for the crown and the strongest set himself up as king.' (Sorry, girls, only manipulative, scheming princesses/noblewomen stood any chance of influencing the menfolk--and then probably by using the usual methods!)
It seemed the peasant population drifted along in some thick miasma of ignorance merely 'obeying orders' and benefiting nothing from the various changes on either side. Kings came and went, princesses were bought and sold, nobles swapped sides and embraced underhand deals, and Richard Neville, the wily Earl of Warwick, manoeuvred all the pieces, like a giant puppet-master, in this fascinating Game of Thrones.
Richard III's bones provided historians with a wealth of exciting information. First he suffered from scoliosis--a painful disease of the spine. Here was meat and drink for all who'd believed the tales of the wicked, hunch-backed uncle who'd crept up the Tower steps to murder the innocent children in the dark! My not so scholarly school book displayed just this picture--the twisted monarch leering villainously as he trod his solitary way towards the slumbering lads to snuff out their lives!
Of course the Richard III Society, championed by the passionate Phillipa Langley, refused to accept Richard's infamy. Presenting the public with a charming, romantic reconstruction of the king's head, they quickly won huge support. I suspect many who saw the Unstead History Book refused to believe such a man could have smothered his nephews single-handed. Certainly I was never convinced.
But those two boys--Edward, Prince of Wales, eldest son to Edward IV, and young Richard, Duke of York, his brother, disappeared mysteriously in1486. So what became of them?
The struggle for power is never pretty. Whilst 15th Century England's noble cousins battled for the throne, desperate to provide the country with the strongest ruler, to maintain England's powerful position in Europe, and ensure the longevity of the ruling family, various wicked deeds were performed 'for the best'. Doubtless the princes' murder was such a one.
Henry VI's reign demonstrated the disaster of having a minor on the throne. No one wanted a similar situation. A united family created strength and security. Noble girls proved useful assets in cementing firm alliances. Eventually everyone might be expected to accept what seemed most expedient for such dangerous times. In this case, to exclude the young princes and plump for loyalty, strength and experience. The logical choice had to be Richard III.
Is it possible that people should desert the princes' cause so quickly? No doubt the commons recalled Edward IV --that handsome, courageous, warrior-king who'd sired` them, with admiration and nostalgia. But the people were sick and tired of war. His memory faded into a kind of Mills and Boon Romance--a gorgeous image which had been beautifully created and accentuated by the rumours of his secret marriages and dangerous liaisons. But who wanted to begin on another era of warfare and intrigue? Edward's wife, the fabled beauty Elizabeth Wydeville, was never popular. She had proved greedy and ambitious, promoting her own family beyond the old nobility. People feared she would take the real power behind the throne once her son was crowned. Perhaps it was time to make some drastic changes?
People will see what they want to see. Avoiding close examination of the facts allows one to create a kind of vague, rosy glow over the past. Perhaps it was time to let the princes go...? Perhaps the trail of secrets concerning their disappearance should not be unravelled after all?
Of course many people stood to profit by their removal. Historians argue still as to who might have plotted and schemed for their demise. The first name which springs to mind is probably Henry Tudor, product of Margaraet Beaufort's cold, religious fanaticism, the boy on whom she lavished all her` attention, Determined he should be king, Margaret, clever as a snake, wound her coils about all those noble persons who might aid her to fulfill this ambition--an ambition she believed to be a part of his destiny.
And what about Harry Buckingham? Disgruntled member of the old nobility, forced into an arranged marriage with a dreaded Wydeville princess, old friend of Richard III, why did he suddenly turn rebel?
There are so many possibilities when it comes to choosing villains!
But perhaps it was just sheer exhaustion which made the people of England turn their backs on the princes? We all love a change. The new order beckoned. If only the country could forget about fighting and get back on its feet again... A change is as good as a rest?
Sadly, for the boys in the Tower, they were soon forgotten---but not quite. Throughout the turbulent years that followed still people sought for answers. Finding bones under an old staircase sparked yet more curiosity... But DNA testing was still necessary to identify these bones.
Now, with all this knowledge at their fingertips, and the bones of King Richard III in their capable hands, all the scientists need is the Queen's permission to re-examine those mysterious finds.
Why then, is she so reluctant to allow this???!
Kristin Gleeson is a writer, artist and musician who lives in the west of Ireland in the Gaeltacht.
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